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The Bengal Files: An In-Depth Look at Vivek Agnihotri’s Controversial Political Drama

What is The Bengal Files

                     © Zee studio

The Bengal Files is a 2025 Indian Hindi-language political drama film written and directed by Vivek Ranjan Agnihotri. It's the third installment in his Files Trilogy, after The Tashkent Files (2019) and The Kashmir Files (2022). 
                   © Zee studio 

The film is rooted in colonial history and focuses on traumatic episodes from the 1940s, such as the Great Calcutta Killings (Direct Action Day) and the Noakhali riots, portraying them as suppressed chapters of history with strong emotional and political overtones. 


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Key Details: Cast, Crew, and Runtime

Aspect Details

Director / Writer / Producer Vivek Ranjan Agnihotri (writer & director), producers include Abhishek Agarwal, Pallavi Joshi, Vivek Agnihotri 
Main Cast Mithun Chakraborty, Pallavi Joshi, Darshan Kumar, Simrat Kaur, Anupam Kher, Saswata Chatterjee, Namashi Chakraborty, Puneet Issar, Sourav Das among others. 
Runtime Around 204 minutes – one of the longer films in recent Indian cinema. 
Language Mainly Hindi. 
Release Theatrical release on 5 September 2025. 



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Story & Themes

The Bengal Files claims to bring forth a narrative of forgotten or ignored violence, focusing on communal tension, displacement, and the suffering of civilians. It combines historical events such as the Direct Action Day (1946) and Noakhali riots with dramatic storytelling. 

The film positions itself as a voice for those who believe that these episodes are underrepresented or misrepresented in mainstream historical memory. It also deals with how history is recorded and whose stories are heard. 


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Reception & Controversies

Positive Reception:

Some international viewers and critics have described the film as hard-hitting and haunting, noting that it evokes a strong emotional response. 

The themes of justice, memory, and accountability have resonated with portions of audiences, especially those interested in post-colonial history and communal relations in India. 


Criticisms:

The film has been criticized for being very graphic, violent, and gory. Some find the imagery overwhelming. 

Questions have been raised about historical accuracy, particularly about certain portrayals. 


Controversies:

Trailer launch cancelled in Kolkata: On August 16, 2025, the film’s trailer launch in a five-star hotel in Kolkata was halted, allegedly by police, which the makers claim was due to political reasons. 

Legal challenges and objections: There have been court petitions over its portrayal of certain historical figures; for example, a petition by the grandson of freedom fighter Gopal Mukherjee (Gopal Patha) who claims the film defames his grandfather. The Calcutta High Court dismissed one such petition. 

Screening issues in West Bengal: Theater owners in West Bengal faced pressure, according to the film's makers, and there were allegations of an undeclared ban or intimidation. 



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Box Office & Commercial Performance

Within six days of release, The Bengal Files crossed the ₹10 crore box office mark in India. 

The film began with moderate pre-sales and strong initial interest but saw a drop in weekday performance after the opening weekend. 

Overseas collections are modest relative to domestic performance, though exact overseas figures remain lower. 



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Implications & Cultural Importance

1. Freedom of Expression Debate: The cancellation of the trailer launch in Kolkata and alleged suppression of screenings raise issues about artistic liberty and censorship in India. 


2. Historical Memory and Narratives: The film contributes to ongoing discussions about how history, especially communal violence or partition‐era events, are remembered, taught, and represented in popular culture. Which stories are prominently told—and by whom—is part of the film’s subtext.


3. Polarization: Like many historically rooted political films, The Bengal Files is polarizing. Some applaud its boldness; others critique its methodology, narrative choices, or implications. It is likely to spark debate, both in media and public fora.


4. Precedent for Cinematic Style: With its long runtime, graphic depiction, and blending of history and drama, The Bengal Files illustrates a style of cinema that aims to provoke discomfort, perhaps to force engagement with uncomfortable parts of history. This could influence how future political/historical dramas are approached.




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Final Thoughts

The Bengal Files is not just another political drama—it aims to act as a mirror and a provocation. Whether viewers agree with its interpretation of history or not, it forces questions:

What parts of history are we willing to confront?

How much responsibility do filmmakers have for historical accuracy vs. narrative power?

Where does the line lie between remembering the past and sensationalizing it?


For audiences interested in India’s colonial history, communal relations, and how cinema participates in shaping collective memory, The Bengal Files is essential viewing. But for those sensitive to violence, or skeptical of politically charged retellings, it will be a challenging watch.

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